Ing & John’s Street Art & The International Street Art Part 17 & 18

Ing & John’s Street Art & The International Street Art Part 17

The Halsey Street Festival, Part 3, Thursday, September 19, 2019,

On Halsey Street between Bleaker Street and New Street, Downtown Newark, New Jersey, USA

John Watts demonstrated pottery,

Ing’s Peace Project, Ing & Johns Artwork,

A lot of Merchants, Food, Music and Fashion Show

Photographs by Ing-On Vibulbhan-Watts

More people came to enjoy the activities that The Halsey Street Festival presented.  I brought my Peace Poster offering to the participants of the festival to express their thought on “What does Peace mean to You?” or to them.

I brought Kai’s books for the boy to look at in case he got tired of adult business.

I was very glad to see more people were willing to record their thoughts on Peace.

People were lined up to see john throwing a large pot.

I was glad to see the group of young women who are studying at NJIT (New Jersey Institute of Technology) where I graduated with a master’s degree in Polymer Chemistry in 1980.

This artwork is my – Finished “Peace” artwork 8

Shadow of Peace and  La Asociación de Barranquiteños de NJ Inc., Puerto Rican Festival in Newark on August 6, 2011, organized by Carlos Maldonado Pastrana, President of La Asociación de Barranquiteños de NJ.  Finished artwork, after the written comments by  Ing-On Vibulbhan-Watts

Link to Peace Comes to 5th Annual Arts Music Fair Elwood Park Page:

“Miss. Newark, New Jersey”, & Other people were watching John demonstrate pottery.

I brought Kai, our grandson’s desk chair, and an Alphabet spelling board to the boy and offered him some drink.  He seemed to enjoy playing with the Alphabet spelling board.

Please continue to view The Halsey Street Festival Part 4

Ing-On Vibulbhan-Watts and John Watts, Thursday, February 16, 2020

Link to Ing & John’s Street Art & The International Street Art Part 17

Ing & Johns Street Art & International Street Art Part 18

International Street Art Part 18

TOP 100 Urban Art 2019 – Best artworks and street artists of the year

Published on : January 2, 2020 Published by : laurent jacquet

TOP 100 Urban Art 2019 – Best artworks and street artists of the year

TOP 100 Urban Art 2019 – Best artworks and street artists of the year P 3, 4 & 5

We’re at the beginning of 2020 and its time for the Streetart360 team to do a retrospective on the most beautiful urban art murals painted in 2019. We’ve selected 100 murals from around the world, some by renown artists and others by new talents. We based our selection on the number of likes and shares they have received on the StreetArt360 social network pages (Facebook, Instagram, Twitter, Pinterest) Please use the comment section to give us your feed back and remember to visit the artists social networks or websites. Thanks for sharing this Top 100. We wish you all the best for 2020.

41. Den Extralargos aka Eva Mena in Puerto Del Rosario, Canary Islands, Spain

Eva Mena links: Website | Instagram | Facebook  page

Den Extralargos aka Eva Mena in Puerto Del Rosario, Canary Islands, Spain

Eva Mena

42. Leticia Mandragora in Cochabamba, Bolivia

Leticia Mandragora links: Instagram | Facebook page

Leticia Mandragora in Cochabamba, Bolivia. Best urban art 2019

Leticia Mandragora

45. GÔMEZ in Naples, Italy

Gomez links: Instagram | Facebook page

GÔMEZ in Naples, Italy

GÔMEZ

46. Murales Lian in Leitza, Spain

Murales Lian links: Blog | Instagram | Facebook page

Murales Lian in Leitza, Spain

Murales Lian

47. Ozmo in Rieti, Italy

Ozmo links: Website | Instagram | Facebook page

Ozmo in Rieti, Italy

Ozmo in Rieti, Italy

54. Ella & Pitr in Plovdiv, Bulgaria

Ella et Pitr links: Tumblr | Instagram | Facebook page

urban artwork by Ella & Pitr in Plovdiv, Bulgaria

Ella & Pitr

55. DEIH in Casablanca, Morocco

photo: M3ayzo.

Deih links: Website | Instagram | Facebook page

DEIH in Casablanca, Morocco

DEIH

56. Iljin in Decazeville, France

photo: m.arya.lv.

Iljin links: Website | Instagram | Facebook

best urban artists 2019 Iljin in Decazeville, France

Iljin

59. Herakut and Nuno Viegas in Berlin, Germany

Links Herakut: Website | Instagram | Facebook page

street art masterpiece by Herakut and Nuno Viegas in Berlin, Germany

Herakut and Nuno Viegas

62. Jacoba Niepoort in Halifax, Canada

photo: Stoo Metz

Jacoba Niepoort links: Website | Instagram | Facebook

Jacoba Niepoort

Jacoba Niepoort

63. Bikismo in Odintsovo, Russia

photo: Maria Shkineva

Bikismo links: Instagram | Facebook page

Bikismo in Odintsovo, Russia

Bikismo in Odintsovo, Russia

67. Wasp Elder in Olomouc, Czech Republic

Wasp Elder links: Tumblr | Instagram | Facebook page

Wasp Elder in Olomouc, Czech Republic

Wasp Elder

69. Dourone in Rotterdam, Netherlands

Dourone links: Website | Instagram | Facebook page

Dourone in Rotterdam, Netherlands

Dourone

70. Carlos Callizo in Istanbul, Turkey

photo: Michael Larsson

Carlos Callizo links: Website | Instagram | Facebook page

Carlos Callizo in Istanbul, Turkey

Carlos Callizo in Istanbul, Turkey

71. Miramar Moh’d & Dalal Mitwally  in Amman, Jordan

Links  Miramar Moh’d:
Instagram | Facebook
Links dalal Mitwally:
Instagram | Facebook

Photo: Emad

urban art best of 2019

Miramar Moh’d & Dalal Mitwally

73. KAY2 in “Korean Demilitarized Zone”, South Korea

KAY2 links:  Website | Instagram | Facebook page

best street art in Korea

Kay2

74. Case Maclaim in Cancun, Mexico

Case Maclaim links: Instagram | Facebook  – Photo: Instagrafite

Case Maclaim in Cancun, Mexico

Case Maclaim

75. Dmitry Levochkin in Odintsovo, Russia

Dmitry Levochkin links:  Instagram | Facebook page

urban art mural by Dmitry Levochkin in Odintsovo, Russia

Dmitry Levochkin

77. Henri Lamy in Boulogne Billancourt, France

Henry Lamy links: Website | Youtube | Instagram | Facebook page

Henri Lamy in Boulogne Billancourt, France

Henri Lamy

78. Cee Pil in Bexhill-on-Sea, UK

Cee Pil links: Instagram | Facebook

best of street art in England Cee Pil in Bexhill-on-Sea, UK

Cee Pil

79. Lula Goce in New Rochelle, New York, USA

Lula Goce links: Website | Instagram | Facebook page

Credits photo: just_a_spectator

Lula Goce in New Rochelle, New York, USA

Lula Goce

80. Piet Rodriguez  in Kramatorsk, Ukraine

Piet Rodriguez links: Twitter | Instagram | Facebook page

Photo: Artem Getman

Piet Rodriguez  in Kramatorsk, Ukraine

Piet Rodriguez

81. Inti  in Santiago, Chile

INTI links: Website | Instagram | Facebook page

Inti  in Santiago, Chile

Inti

82. Mabel Vicentef in Buenos Aires, Argentina

Mabel Vicentef links: Website | Youtube | Tumblr | Instagram | Facebook

Mabel Vicentef in Buenos Aires, Argentina

Mabel Vicentef

83. L7matrix in Sao Paulo, Brazil

L7M links: Website | Tumblr | Instagram | Twitter | Facebook page

L7matrix in Sao Paulo, Brazil

L7matrix

84. Evgeni Sosiura aka Mutus in Minsk, Belarus

Mutus links: Instagram | Facebook page

Evgeni Sosiura aka Mutus in Minsk, Belarus

Mutus

85. Daniel Eime in Nazaré, Portugal

Daniel Eime links: Website | Vimeo | Instagram | Facebook page

Photo: Nelson

Daniel Eime in Nazaré, Portugal

Daniel Eime

86. Case Maclaim in Tbilisi, Georgia

Case Maclaim links: Instagram | Facebook page

Case Maclaim in Tbilisi, Georgia

Case Maclaim

87. Telmo Miel in Ghent, Belgium

Telmo Miel links: Website | Instagram | Twitter | Facebook page

Photo: M_FRENCHI

Telmo Miel in Ghent, Belgium

Telmo Miel

89. Swed Oner in Nouméa, New Caledonia, France

Guido Van Helten links: Website | Instagram | Facebook page

Guido Van Helten in Leiria, Portugal

Guido Van Helten

93. Paola Delfin in Tampere, Finland

Paola Delfin links: Instagram | Twitter | Facebook page

Paola Delfin in Tampere, Finland

Paola Delfin

94. Andres Cobre aka NDC media in Modesto, California, USA

photo: Ricardo Ontiveros

Andres Cobre Links: Instagram | Facebook page

Andres Cobre aka NDC media in Modesto, California, USA

Andres Cobre

95. Pichi & Avo in Boras, Sweden

Pichi & Avo links: : Website | Youtube | Twitter | Instagram | Facebook page

Pichi & Avo in Boras, Sweden

Pichi & Avo in Boras, Sweden

97. Rogue One in Glasgow, UK

Rogue One links: Instagram | Facebook page

Rogue One in Glasgow, UK

Rogue One

98. Smates in Geel, Belgium

Smates links: Website | Instagram | Facebook page

street art mural by Smates in Geel, Belgium

Smates

100. Manomatic in Patos, Albania

Manomatic links : WebsiteInstagram |  Facebook page

Festival Internaciona de Street Art Albania I.S.A.F.A. Mural Proyect by Urbanact.gr & VIZart

Manomatic mural artwork in albania

Manomatic

8th Annual Light Festival Illuminates Amsterdam with Glowing Sculptural Installations

December 10, 2019  Laura Staugaitis

“Butterfly Effect” by Masamichi Shimada. All photographs, unless noted, © Janus van den Eijnden

This year’s Amsterdam Light Festival, running November 28, 2019, to January 19, 2020, lights up the European city with illuminated art installations. The festival, now in its eighth year, attracts tourists and engages locals at a time when the city is cloaked in darkness for about sixteen hours each day. Visitors to the Light Festival use a phone app to guide themselves through Amsterdam’s city center, perusing twenty light works by artists from around the world. This year’s show theme was “DISRUPT!” and artists reflected the concept in pieces that ruminate on climate change, national history, technology, and more. See some of our favorites here, by Masamichi Shimada, UxU StudioSergey Kim and others. You can explore the full line-up and programming on the Amsterdam Light Festival website.

“Neighborhood” by Sergey Kim. Photograph courtesy of the artist

“Nacht Tekening” by Krijn de Koning 

“Atlantis” by Utskottet

“Surface Tension” by Tom Biddulph and Barbara Ryan

Link to Ing & John’s Street Art & The International Street Art Part 18

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Ing & John’s Street Art & The International Street Art Part 15 & 16

Ing & John’s Street Art & The International Street Art Part 15

The Halsey Street Festival, Part 2, Thursday, September 19, 2019,

On Halsey Street between Bleaker Street and New Street, Downtown Newark, New Jersey, USA

John Watts demonstrated pottery,

Ing’s Peace Project, Ing & Johns Artwork,

A lot of Merchants, Food, Music and Fashion Show

Photographs by Ing-On Vibulbhan-Watts

More people came to enjoy the activities that The Halsey Street Festival presented.  I brought my Peace Poster offering to the participants of the festival to express their thought on “What does Peace mean to You?” or to them.

Thanks to this person who was willingly to record her thoughts on Peace.

John started his performance with a pottery demonstration.

People love to take John’s pictures as he is making his magic pottery.

I love the way John produced his pottery or anybody who can have control and discipline enough to achieve making beautiful objects.  I love to work with clay making my sculptures where I do not have to follow the rule and be well disciplined.  One of these days I am going to ask Master John to teach me how to throw on the wheel and produce the controlled pottery.

More people were interested in recording their Peace comments on my Peace Poster.

People seemed to enjoy taking pictures and watching John demonstrate pottery.

It is so lovely to see a mother holding her child, who shows the happiness and comfort of being embraced by his mother with joy.

“Miss. Newark, New Jersey”, stopped her tour to write her comments about Peace.

Beautiful flowers and beautiful people made the atmosphere of the festival vibrant and Peaceful.  This is the kind of harmony we need when people get together to celebrate life.  (No Fighting, No Conflict and No More Wars)

Please continue to view The Halsey Street Festival Part 3

Ing-On Vibulbhan-Watts and John Watts, Sunday, February 2, 2020

Link to Ing & John’s Street Art & The International Street Art Part 15

Streetart360, TOP 100 Urban Art 2019, Toronto Light Festival,

Ing & John’s Street Art & International Street Art Part 16

International Street Art Part 16

Published on : January 2, 2020 Published by : laurent jacquet

TOP 100 Urban Art 2019 – Best artworks and street artists of the year P 1 & 2

We’re at the beginning of 2020 and its time for the Streetart360 team to do a retrospective on the most beautiful urban art murals painted in 2019. We’ve selected 100 murals from around the world, some by renown artists and others by new talents. We based our selection on the number of likes and shares they have received on the StreetArt360 social network pages (Facebook, Instagram, Twitter, Pinterest) Please use the comment section to give us your feed back and remember to visit the artists social networks or websites. Thanks for sharing this Top 100. We wish you all the best for 2020.

2. SimpleG in Athens, Greece

SimpleG links: Website | Behance | Youtube | Instagram | Facebook page – Photo: John Spinoulas

best of Urban art

SimpleG

3. Nick Napoletano in Charlotte, North Carolina, USA

photo: Dave Lee

Nick Napoletano links: Website | Instagram | Facebook

Nick Napoletano urban artwork

Nick Napoletano

4. Owen Dippie in Los Angeles, CA, USA

photo: Impermanent Art.

Owen Dippie links: Website | Instagram | Facebook

Owen Dippie in Los Angeles, CA, USA

Owen Dippie

7. Saype in Decazeville, France

Saype links: Website | Instagram | Facebook page

Saype in Decazeville, France

Saype

9. JEKS in Tulsa, Oklahoma, USA

JEKS links: Instagram

best street art in USA - Nasa and street art

Jeks

10. Federico Zenobi aka Kor1 in Marotta, Italy

Kor1 links: Website | Instagram | Facebook page

Federico Zenobi aka Kor1 in Marotta, Italy

Federico Zenobi aka Kor1

14. Noe Two in Havana, Cuba

Noe Two links: Website | Instagram | Facebook page

Noe Two in Havana, Cuba

Noe Two

15. Sef in Buenos Aires, Argentina

photo: Agustin Silva.

Sef links: Instagram

Sef in Buenos Aires, Argentina

Sef

19. El Mac in Los Angeles, CA, USA

El Mac links: Instagram | Facebook page

El Mac in Los Angeles, CA, USA

El Mac

26. Xi de Sign aka Die Dixons in Berlin, Germany

photo: Jörn Reiners.

Die Dixons links: Website | Instagram | Facebook page

Xi de Sign aka Die Dixons in Berlin, Germany

Die Dixons

28. Sonny Sundancer in Johannesburg, South Africa

Sonny Sundancer links: Youtube | Instagram | Facebook page

Sonny Sundancer in Johannesburg, South Africa

Sonny Sundancer

31. Fanakapan in Berlin, Germany

photo: Nika Kramer

Fanakapan links: Instagram | Facebook page

Fanakapan in Berlin, Germany

Fanakapan

40. Chisme in Benaguasil, Valencia

Asier: Instagram | Facebook page

MUS: Instagram | Facebook page

Chisme in Valencia

Chisme in Valencia

Local and International Artists Produce 21 Light Installations For the Inaugural Toronto Light Festival

February 10, 2017  Kate Sierzputowski

Images via Thane Lucas/Toronto Light Festival

Set within a district of Victorian industrial buildings, the Toronto Light Festival is a free 45-day festival occurring during this year’s winter months as a way to creatively draw the city’s inhabitants out of their homes. Featuring 21 diverse light installations built by local and international artists and thousands of glowing bulbs, the festival covers a total of 13 acres in the city’s Distillery District. Installations range from a series of lit figures appearing to jump from the roof of one of the historic buildings to two red, geometric cats prowling an included alleyway, with several multi-colored works in-between.

You can catch Toronto’s first ever light art festival until March 12, or follow the festival on Instagram to catch snapshots of the glowing installations.

 Link to Ing & John’s Street Art & The International Street Art Part 16

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John Watts’ Art Exhibition at The Dana Library Rutgers University 2018

THE EXHIBITION HAS BEEN EXTENDED THROUGH THE END OF OCTOBER, 2018

John Watts’ Art Exhibition at The Dana Library Rutgers University

 MONOLITHS IN CLAY

 An exhibition of ceramic sculptures

And Giclee Prints

by John Watts

May 3rd through October 31th, 2018

 The Dana Library Rutgers University, 4th Floor

185 University Ave, Newark, New Jersey

50th DANA LIBRARY ANNIVERSARY

John Watts’ Art Exhibition at The Dana Library Rutgers University

 Artwork by John Watts

Photographs by Ing-On Vibulbhan-Watts

John Watts, my husband, has his art exhibition on the fourth floor of the Dana Library, Rutgers University, Newark, NJ. Upon stepping out of the Library elevator, one walks thought a foyer where on the right side is the reception office of the famous, Jazz Institute. Beyond this is hallway to a study area.

The left side of the foyer however, opens into a long art gallery that lead to the library conference room. This library art gallery is where John has his seven feet tall and medium size sculptures displayed. All together there are thirteen pieces.

There are ten showcases lining the walls, which are filled with John’s pottery, small clay sculptures, and miniature bronze sculptures embedded with semiprecious stones. The showcases also hold John’s, “wearable art”, which are one of a kind pieces of jewelry. His two dimension artwork is hung above these pieces.

 There are twelve of his large canvas artwork prints on the walls outside of the display cases These are examples of a lifetime of artwork filling this space where students and educators pass though to the conference room allowing them to see and experience the work.

 I like this art gallery as it is it is just like street art, in that it is for everybody who passes by. While John and I were putting up the artwork some students stopped to take pictures with their i Phones.

 Some students asked questions about the art. Hopefully the exhibition will inspire some who pass by consciously, or subconsciously. This will make and artist happy and encourage everyone to express his or her ideas and share them with others.

The benefit of artwork is that it can provoke everyone to think for themselves, rather than becoming part of a flock of sheep led by the nose for those with power.

Ing-On Vibulbhan-Watts, Saturday, May 26, 2018 (Posted on Google+)

The following message is John’s own words explaining his artwork:

 My clay sculpture reflects of a lifelong interest in monolithic structures. As a child in Wales in the early nineteen fifties, I was fascinated by old gravestone monuments, drawing them in detail. The stone circles of early Britons also influenced my childhood imagination, particularly Stonehenge, and the local Neolithic stone on the Gower Peninsular of South Wales called, Arthur’s Stone. I was also captivated by, Cleopatra’s Needle, a solitary Egyptian obelisk, at the edge of the River Thames in London, that I would view every summer when we would visit my aunt. My teenage years of the late nineteen fifties in Newark, New Jersey offered the red brick smoke stacks of factories surrounding my neighborhood. These towering hollow columns would bellow forth huge plumes of smoke, like offerings to ancient gods. Then at the ripe old age of twenty-six, in nineteen sixty-eight, the movie, 2001 A Space Odyssey, came out, and I went completely bonkers for the alien monoliths.

My giclee canvas prints in this exhibit are two-dimensional visions of my same artistic obsession with imagery steeped in symbolism, mythology. Each canvas holds out the possibility of where one might find such Monoliths. There is an attention to textural detail in all my work. This filling of empty space in art work is historically referred to as Horror Vacui. My source for this imagery is again my childhood in Wales, observing the Celtic crosses in graveyards, and the Pre Raphaelite, and Victorian illustrations of childrens books in heraldic epic stories like, King Arthur and The Knights Of The Round Table. Even my pottery and Jewelry suggests an affinity with unnamed civilizations lost in antiquity.

John Watts, Saturday, May 26, 2018

For more information please visit the following links:

https://ingpeaceproject.com/john-watts-plays-artwork-videos/

https://ingpeaceproject.com/john-watts-plays-artwork-videos/johns-pottery-student-exhibition/

Male and Female Figures by John Watts

Artwork by John Watts, Photograph by Ing-On Vibulbhan-Watts

John Watts, my husband, has his art exhibition on the fourth floor of the Dana Library, Rutgers University, Newark, NJ. Upon stepping out of the Library elevator, one walks thought a foyer where on the right side is the reception office of the famous, Jazz Institute. Beyond this is hallway to a study area.

Stone Clouds by John Watts

Sculptures Drawing by John Watts

Stones-2 by John Watts

Wedding by John Watts

Parade by John Watts

Dino Landscape by John Watts

Swansea Landscape by John Watts

Stones Twice by John Watts

Birth Of A Dragon by John Watts

Celtic Cross by John Watts

Blue Moon by John Watts

Cinderella At Midnight by John Watts

The Race by John Watts

Nanny by John Watts

Remember The Saleman by John Watts

I Wish by John Watts

Journey Into Night by John Watts

Impossible Dreamer by John Watts

Wedding by John Watts

Excalibur by John Watts

Invisible – Portrait of Ralph Allison

Milkwood – Portrait of Dylan Thomas

Dylan Marlais Thomas (27 October 1914 – 9 November 1953) was a Welsh poet and writer whose works include the poems “Do not go gentle into that good night” and “And death shall have no dominion“; the ‘play for voices’ Under Milk Wood; and stories and radio broadcasts such as A Child’s Christmas in Wales and Portrait of the Artist as a Young Dog. He became widely popular in his lifetime and remained so after his premature death at the age of 39 in New York City. By then he had acquired a reputation, which he had encouraged, as a “roistering, drunken and doomed poet”.[3]

Thomas was born in Swansea, Wales, in 1914. An undistinguished pupil, he left school at 16 and became a journalist for a short time. Many of his works appeared in print while he was still a teenager; however, it was the publication in 1934 of “Light breaks where no sun shines” that caught the attention of the literary world. While living in London, Thomas met Caitlin Macnamara, whom he married in 1937. Their relationship was defined by alcoholism and was mutually destructive.[3] In the early part of their marriage, Thomas and his family lived hand-to-mouth; they settled in the Welsh fishing village of Laugharne.

Thomas came to be appreciated as a popular poet during his lifetime, though he found earning a living as a writer difficult. He began augmenting his income with reading tours and radio broadcasts. His radio recordings for the BBC during the late 1940s brought him to the public’s attention, and he was frequently used by the BBC as a populist voice of the literary scene.

Thomas first travelled to the United States in the 1950s. His readings there brought him a degree of fame, while his erratic behaviour and drinking worsened. His time in America cemented his legend, however, and he went on to record to vinyl such works as A Child’s Christmas in Wales. During his fourth trip to New York in 1953, Thomas became gravely ill and fell into a coma, from which he never recovered. He died on 9 November 1953. His body was returned to Wales, where he was interred at the village churchyard in Laugharne on 25 November 1953.

For more information please visit the following link:

https://en.wikipedia.org/wiki/Dylan_Thomas

Statue of Dylan Thomas near the National Waterfront Museum

Under Milk Wood is a 1954 radio drama by Welsh poet Dylan Thomas, commissioned by the BBC and later adapted for the stage. A film version, Under Milk Wood directed by Andrew Sinclair, was released in 1972.

An omniscient narrator invites the audience to listen to the dreams and innermost thoughts of the inhabitants of the fictional small Welsh fishing village Llareggub (“bugger all” backwards).

They include Mrs. Ogmore-Pritchard, relentlessly nagging her two dead husbands; Captain Cat, reliving his seafaring times; the two Mrs. Dai Breads; Organ Morgan, obsessed with his music; and Polly Garter, pining for her dead lover. Later, the town awakens and, aware now of how their feelings affect whatever they do, we watch them go about their daily business.

For more information please visit the following link:

https://en.wikipedia.org/wiki/Under_Milk_Wood

Invisible Man is a novel by Ralph Ellison, published by Random House in 1952. It addresses many of the social and intellectual issues facing African Americans early in the twentieth century, including black nationalism, the relationship between black identity and Marxism, and the reformist racial policies of Booker T. Washington, as well as issues of individuality and personal identity.

Invisible Man won the U.S. National Book Award for Fiction in 1953.[1] In 1998, the Modern Library ranked Invisible Man 19th on its list of the 100 best English-language novels of the 20th century.[2]Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005, calling it “the quintessential American picaresque of the 20th century”, rather than a “race novel, or even a bildungsroman“.[3]Malcolm Bradbury and Richard Ruland recognize an existential vision with a “Kafka-like absurdity”.[4] According to The New York Times, former U.S. president Barack Obama modeled his memoir Dreams from My Father on Ellison’s novel.[5]

For more information please visit the following link:

https://en.wikipedia.org/wiki/Invisible_Man

Ellison says in his introduction to the 30th Anniversary Edition[6] that he started to write what would eventually become Invisible Man in a barn in Waitsfield, Vermont in the summer of 1945 while on sick leave from the Merchant Marine. The book took five years to complete with one year off for what Ellison termed an “ill-conceived short novel.”[7] Invisible Man was published as a whole in 1952. Ellison had published a section of the book in 1947, the famous “Battle Royal” scene, which had been shown to Cyril Connolly, the editor of Horizon magazine by Frank Taylor, one of Ellison’s early supporters.

In his speech accepting the 1953 National Book Award,[8] Ellison said that he considered the novel’s chief significance to be its experimental attitude. Before Invisible Man, many (even most) novels dealing with African Americans were seen and even written solely for social protest. Most notably, Native Son and Uncle Tom’s Cabin, and while Ellison dovetailed two movements, The Harlem Renaissance and the Black Arts Movement, neither defined his work completely, which reinforced his claim to a unique experimental narrative that broke with tradition. At the Federal Writers’ Project, Ellison had previously interviewed many older people who were living examples to the movement. Ellison once quipped that he needs to get real angry and start talking with the old folk again[further explanation needed].

Ellison was also not a Black Arts Movement writer. Many of the notable writers of black arts movement were disillusioned with Ellison[citation needed]. John Oliver Killens, denounced Invisible Man, like this: “The Negro people need Ralph Ellison’s Invisible Man like we need a hole in the head or a stab in the back. . . . It is a vicious distortion of Negro life.” He and Amiri Baraka were always at odds[citation needed].

Ellison’s style has some basis in modern symbolism[further explanation needed]. In the poem The Waste Land by T. S. Eliot.[9], using one notable example, Ellison was immediately impressed with its ability to merge his two greatest passions, that of music and literature. When asked later what he had learned from the poem, Ellison responded: imagery, and also improvisation—techniques he had only before seen in jazz.[10] But Ellison’s influences run deep. The aforementioned WPA, and what he called his literary ancestors, Ernest Hemingway, William Faulkner, Mark Twain and others, along with books such as Dostoevsky‘s Notes From Underground, and even as broad-reaching as speculative writers such as Kenneth Burke, all of whom Ellison used to break away from classical African-American writing[clarification needed].

Ellison biographer Arnold Rampersad said that the character of the narrator “resembles no one else in previous fiction so much as he resembles Ishmael of Moby-Dick.” Ellison signals his debt in the prologue to the novel, where the narrator remembers a moment of truth under the influence of marijuana and evokes a church service: “Brothers and sisters, my text this morning is the ‘Blackness of Blackness.’ And the congregation answers: ‘That blackness is most black, brother, most black…'” In this scene Ellison “reprises a moment in the second chapter of Moby-Dick”, where Ishmael wanders around New Bedford looking for a place to spend the night and enters a black church: “It was a negro church; and the preacher’s text was about the blackness of darkness, and the weeping and wailing and teeth-gnashing there.” According to Rampersad, it was Melville who “empowered Ellison to insist on a place in the American literary tradition” by his example of “representing the complexity of race and racism so acutely and generously” in Moby-Dick.[11]

Ellison always believed that he would be a musician first and a writer second, and yet even so he had acknowledged that writing provided him a “growing satisfaction.” It was a “covert process”, according to Ellison: “a refusal of his right hand to let his left hand know what it was doing.”[12]

For more information please visit the following link:

https://en.wikipedia.org/wiki/Invisible_Man

Homage To The Dragon by John Watt

Pottery and Jewelry by John Watts

Jewelry by John Watts

Pottery and Jewelry by John Watts

Jewelry by John Watts

Jewelry by John Watts

Pottery by John Watts

Jewelry by John Watts

Jewelry by John Watts

Pottery by John Watts

Jewelry by John Watts

Jewelry by John Watts

Pottery by John Watts

Jewelry by John Watts

Jewelry by John Watts

Pottery by John Watts

John Watts’ Art Exhibition at The Dana Library Rutgers University

Photograph by John Watts

MONOLITHS IN CLAY

An exhibition of ceramic sculptures

And Giclee Prints

by John Watts

May 3rd through September 29th, 2018

The Dana Library Rutgers University, 4th Floor

185 University Ave, Newark, New Jersey

The following message is John’s own words explaining his artwork:

My clay sculpture reflects of a lifelong interest in monolithic structures. As a child in Wales in the early nineteen fifties, I was fascinated by old gravestone monuments, drawing them in detail. The stone circles of early Britons also influenced my childhood imagination, particularly Stonehenge, and the local Neolithic stone on the Gower Peninsular of South Wales called, Arthur’s Stone. I was also captivated by, Cleopatra’s Needle, a solitary Egyptian obelisk, at the edge of the River Thames in London, that I would view every summer when we would visit my aunt. My teenage years of the late nineteen fifties in Newark, New Jersey offered the red brick smoke stacks of factories surrounding my neighborhood. These towering hollow columns would bellow forth huge plumes of smoke, like offerings to ancient gods. Then at the ripe old age of twenty-six, in nineteen sixty-eight, the movie, 2001 A Space Odyssey, came out, and I went completely bonkers for the alien monoliths.

My giclee canvas prints in this exhibit are two-dimensional visions of my same artistic obsession with imagery steeped in symbolism, mythology. Each canvas holds out the possibility of where one might find such Monoliths. There is an attention to textural detail in all my work. This filling of empty space in art work is historically referred to as Horror Vacui. My source for this imagery is again my childhood in Wales, observing the Celtic crosses in graveyards, and the Pre Raphaelite, and Victorian illustrations of childrens books in heraldic epic stories like, King Arthur and The Knights Of The Round Table. Even my pottery and Jewelry suggests an affinity with unnamed civilizations lost in antiquity.

John Watts, Saturday, May 26, 2018

John Watts working on his pottery and sculptures.

For more information please visit the following link:

John Watts’ Plays, Artwork & Videos

https://ingpeaceproject.com/john-watts-plays-artwork-videos/johns-pottery-student-exhibition/

Exhibition arranged by Ann Veerlamd Walkins MSLS, AHIP-D

Art Coordinator, Life and Health Science Librarian, Collection Services Head, Collection Department coordinator

Rutgers University Libraries

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