PBS News, The California Sunday Magazine, TED Talks, Lily R., Digital Photography School, Thisiscolossal, and Ing Peace Project

PBS News: November 26 – December 1, 2019, How innovation and small steps can help us solve The Plastic Problem, and Largest slave revolt in U.S. history lives on in reenactment,

The California Sunday Magazine: 3 kids. 2 paychecks. No home.

TED Talks: Cathy Mulzer –  The incredible chemistry powering your smart phone? and Kim Preshoff –  What’s a smartphone madeof#t-286167

Lily R. : 500 + Fish Identification Documentary by Pano4life

Digital Photography School: How to Get Super Sharp Landscape Photography Images

Thisiscolossal: 120,000 Ribbons Wave Across the Former Footprint of the Berlin Wall in an Installation Marking 30 Years Since the Peaceful Revolution

Ing Peace Project: 6th Annual Art and Music Fair, Elwood Park 1

PBS NewsHour Weekend full episode December 1, 2019

Dec 1, 2019  PBS NewsHour

On this edition for Sunday, December 1, severe weather disrupts holiday travel across the U.S., and on World AIDS Day, how inequality impacts those living with HIV. Also, how Mac DeMarco is harnessing the internet to thrive as an indie artist. Alison Stewart anchors from New York. Stream your PBS favorites with the PBS app: https://to.pbs.org/2Jb8twG Find more from PBS NewsHour at https://www.pbs.org/newshour Subscribe to our YouTube channel: https://bit.ly/2HfsCD6

PBS NewsHour Weekend full episode November 30, 2019

Nov 30, 2019  PBS NewsHour

On this edition for Saturday, November 30, the latest on the London Bridge attack, Illinois schools placed thousands of children in isolation rooms, and New York’s Mohawk tribe and their fight to restore their endangered language. Alison Stewart anchors from New York. Stream your PBS favorites with the PBS app: https://to.pbs.org/2Jb8twG Find more from PBS NewsHour at https://www.pbs.org/newshour Subscribe to our YouTube channel: https://bit.ly/2HfsCD6

PBS NewsHour full episode November 29, 2019

Nov 29, 2019 PBS NewsHour

Friday on the NewsHour, the prime minister of Iraq announces his resignation after weeks of protests that have left hundreds dead. Plus: What Afghan women stand to lose if the Taliban return to power, questions about a fatal accident at an Amazon warehouse, turning food waste into electricity, analyzing the week’s political news with Shields and Brooks and a preview of the new film “The Report.” WATCH TODAY’S SEGMENTS: After months of deadly protest, Iraq’s government in chaos https://www.youtube.com/watch?v=fMWKJ… News Wrap: Stabbing attacks jolt London, the Netherlands https://www.youtube.com/watch?v=HuYGx… What peace talks with the Taliban mean for Afghan women https://www.youtube.com/watch?v=hu_9I… Fatality at Amazon warehouse raises questions about safety https://www.youtube.com/watch?v=SU0v2… How these farmers are turning manure and food waste to power https://www.youtube.com/watch?v=bmX1s… Shields and Brooks on impeachment politics, 2020 Democrats https://www.youtube.com/watch?v=l_fYq… What ‘The Report’ says about the CIA and post-9/11 torture https://www.youtube.com/watch?v=KCo1t… Stream your PBS favorites with the PBS app: https://to.pbs.org/2Jb8twG Find more from PBS NewsHour at https://www.pbs.org/newshour Subscribe to our YouTube channel: https://bit.ly/2HfsCD6 Follow us: Facebook: https://www.pbs.org/newshour Twitter: https://www.twitter.com/newshour Instagram: https://www.instagram.com/newshour Snapchat: @pbsnews Subscribe: PBS NewsHour podcasts: https://www.pbs.org/newshour/podcasts Newsletters: https://www.pbs.org/newshour/subscribe

PBS NewsHour full episode November 28, 2019

Nov 28, 2019  PBS NewsHour

Thursday on the NewsHour, President Trump made a Thanksgiving trip to Afghanistan, where he served troops a holiday dinner and met with Afghan President Ashraf Ghani. Plus: The history of impeachment in America, how to reduce food waste, a crackdown on protests in Iran, the outlook for long-haul truckers and former students of viral sensation Flossie Lewis express their thanks to her. WATCH TODAY’S SEGMENTS: In Afghanistan, Trump says Taliban talks have restarted https://www.youtube.com/watch?v=bv2j-… News Wrap: Dozens more protesters killed in Iraqi violence https://www.youtube.com/watch?v=Qjwrr… A look back at presidential impeachment in U.S. history https://www.youtube.com/watch?v=g2pRV… How Americans can change their mindset about wasting food https://www.youtube.com/watch?v=zxl0u… Behind the protests and brutal government crackdown in Iran https://www.youtube.com/watch?v=xOhYJ… Stream your PBS favorites with the PBS app: https://to.pbs.org/2Jb8twG Find more from PBS NewsHour at https://www.pbs.org/newshour Subscribe to our YouTube channel: https://bit.ly/2HfsCD6

PBS NewsHour full episode November 27, 2019

Nov 27, 2019  PBS NewsHour

Wednesday on the NewsHour, another set of revelations in the inquiry into President Trump’s Ukraine dealings. Plus: How Americans across the country feel about impeachment, shipping speed vs. employee safety at Amazon warehouses, how food growers are striving to reduce wasted product, rising sea levels threaten a small Alaskan town and actress Adrienne C. Moore on her life’s characters. WATCH TODAY’S SEGMENTS: News Wrap: Major storms disrupt Thanksgiving travel https://www.youtube.com/watch?v=yYvlz… What were Rudy Giuliani’s business dealings in Ukraine? https://www.youtube.com/watch?v=-YAME… What voters across America are saying about impeachment https://www.youtube.com/watch?v=0JjSt… An inside look at injury rates in Amazon warehouses https://www.youtube.com/watch?v=dce_A… How California is fighting the problem of food waste https://www.youtube.com/watch?v=uFmot… As water levels rise, an Alaska town flees to higher ground https://www.youtube.com/watch?v=2vMZs… Actress Adrienne C. Moore on owning her characters https://www.youtube.com/watch?v=CAfei… Stream your PBS favorites with the PBS app: https://to.pbs.org/2Jb8twG Find more from PBS NewsHour at https://www.pbs.org/newshour Subscribe to our YouTube channel: https://bit.ly/2HfsCD6 Follow us: Facebook: https://www.pbs.org/newshour Twitter: https://www.twitter.com/newshour Instagram: https://www.instagram.com/newshour Snapchat: @pbsnews Subscribe: PBS NewsHour podcasts: https://www.pbs.org/newshour/podcasts Newsletters: https://www.pbs.org/newshour/subscribe

How innovation and small steps can help us solve The Plastic Problem

Nov 26, 2019  PBS NewsHour

On Wednesday night, PBS will air a one-hour special report, “The Plastic Problem,” that examines how our global dependence on plastic has created one of the biggest environmental threats to our planet. Amna Nawaz hosts the program, and she joins Judy Woodruff to discuss how we consume and discard plastic, where it is ending up and what corporations and consumers are doing to address the problem. Stream your PBS favorites with the PBS app: https://to.pbs.org/2Jb8twG Find more from PBS NewsHour at https://www.pbs.org/newshour Subscribe to our YouTube channel: https://bit.ly/2HfsCD6

PBS NewsHour full episode November 26, 2019

Nov 26, 2019  PBS NewsHour

Tuesday on the NewsHour, the UN has an alarming assessment of the impact of climate change — and why we’re not doing enough to stop it. Plus: Court decisions and public hearings in the impeachment inquiry, the rise and fall of WeWork, Italian houses selling for cheap, the problem of global plastic use, Karine Jean-Pierre on her immigrant upbringing, found art and the presidential turkey pardon. WATCH TODAY’S SEGMENTS: How ‘climate procrastination’ has put the planet in peril https://www.youtube.com/watch?v=LoBR4… News Wrap: Iraq hit with bombings, deadly protest violence https://www.youtube.com/watch?v=mOcHP… Legal experts to testify at 1st Judiciary Committee hearing https://www.youtube.com/watch?v=0vMWw… WeWork’s rise and fall provide cautionary tale for startups https://www.youtube.com/watch?v=P_xC1… What 1 euro can buy you in Sicilian real estate https://www.youtube.com/watch?v=p16p7… How our dependence on plastic threatens the planet https://www.youtube.com/watch?v=qJbWM… Karine Jean-Pierre on perseverance and political activism https://www.youtube.com/watch?v=lGFtx… How this San Diego artist recreates our treasured objects https://www.youtube.com/watch?v=FfK5n… Trump serves up double helping of presidential turkey pardon https://www.youtube.com/watch?v=zCUuL… Stream your PBS favorites with the PBS app: https://to.pbs.org/2Jb8twG Find more from PBS NewsHour at https://www.pbs.org/newshour Subscribe to our YouTube channel: https://bit.ly/2HfsCD6 Follow us: Facebook: https://www.pbs.org/newshour Twitter: https://www.twitter.com/newshour Instagram: https://www.instagram.com/newshour Snapchat: @pbsnews Subscribe: PBS NewsHour podcasts: https://www.pbs.org/newshour/podcasts Newsletters: https://www.pbs.org/newshour/subscribe

Category   News & Politics

Largest slave revolt in U.S. history lives on in reenactment

Nov 24, 2019  PBS NewsHour

In 1811, more than 200 enslaved people in present-day Louisiana launched the largest insurgency of people in bondage in U.S. history. The revolt lasted only a few days before the poorly armed rebels were crushed by a militia and U.S. troops. But more than two centuries later, their story is living on in a performance called “Slave Rebellion Reenactment.” Special Correspondent Brian Palmer reports. Stream your PBS favorites with the PBS app: https://to.pbs.org/2Jb8twG Find more from PBS NewsHour at https://www.pbs.org/newshour Subscribe to our YouTube channel: https://bit.ly/2HfsCD6 Follow us: Facebook: https://www.pbs.org/newshour Twitter: https://www.twitter.com/newshour Instagram: https://www.instagram.com/newshour Snapchat: @pbsnews Subscribe: PBS NewsHour podcasts: https://www.pbs.org/newshour/podcasts Newsletters: https://www.pbs.org/newshour/subscribe

Category   News & Politics

The California Sunday Magazine

https://story.californiasunday.com/homeless-families?utm_source=pocket-newtab

From left to right: Adelene, Frankie, Josephat, Brenda, and Candido in the 2007 Toyota Sienna that they lived in for close to a year

November 26, 2019

3 kids. 2 paychecks. No home.

South of San Francisco, in a fertile corner of California that feeds much of the country, working families are sleeping in shelters and parking lots.

By Brian Goldstone

Photographs by Alessandra Sanguinetti

Frankie’s morning started before the sun came up, as the steadily increasing volume of his parents’ phone alarm, coming from somewhere near the dashboard, jolted the 8-year-old awake. His dad, Candido, and 6-year-old brother, Josephat, had begun to stir in the cramped rear of the minivan, emerging from a tangle of blankets, towels, pillows, and stuffed animals. His mom, Brenda, was in the driver’s seat, which was reclined as far back as it could go; his baby sister, Adelene, who was 3, was splayed out awkwardly on the seat beside her. As for Frankie, he was in his usual spot: nestled on the floorboard between the front seats and middle row, his skinny 4-foot frame hidden in a furry green-and-brown sleeping bag meant to look like a grizzly bear.

For almost nine months, the family had been living out of their Toyota Sienna in various fields and parking lots throughout Salinas, the industrial and economic center of Monterey County. In this part of the country, there was nothing especially dramatic or exceptional about their plight, or the circumstances that led them to be without a roof over their heads. Frankie’s parents were well aware of the worsening housing crisis that had dragged tens of thousands of Californians into a similar fate. But still, Candido said, it sometimes felt as though they were the only ones out there.

Finding a place to park the van was harder than expected. At first, the family tried the parking lot of a Food 4 Less grocery store. But the following morning, an employee warned them not to return; a neighborhood gang, he explained, controlled the area and had been threatening homeless people. He said they’d recently slashed someone’s tires. The family drove to a nearby strawberry farm, which proved more hospitable. In exchange for doing chores around the property, such as cleaning the bathrooms and emptying the trash, the farm’s owner would fill up their gas tank. But eventually other families, in their own cars and SUVs, began showing up, and it became too much. They’d have to go somewhere else, the owner said.

Now they were in the parking lot of Natividad Medical Center, just outside the emergency room. The lot was well lit, and there were bathrooms in the ER waiting room, open 24 hours. The hospital staff was mostly welcoming. At night, however, after everyone fell asleep, Candido had been noticing the tiny flicker of a lighter in a nearby pickup truck and the profile of an older man. Candido kept the van’s dome light on and made sure its doors were locked.

As parents, Candido and Brenda believed the most important thing was to project confidence; their kids needed to see that they had a plan. The couple tried to avoid worrying about how long they’d be in the van, or where they might go next, but it was impossible to think about anything else. There were bouts of cursing and storming off and feeling that one more minute in the vehicle, packed with the entirety of their possessions, would drive them all insane. There were weekend excursions to Target for little toys and treats, bought with money they couldn’t spare. When temperatures dropped, it was a terrible calculus: bundle up as best they could, the kids shivering and complaining, or run the van’s heat all night and use up precious gas. Or, if there were any rooms available, they could spend up to a couple hundred dollars a night at the Best 5 Motel or Good Nite Inn?—?making it that much less likely that they’d save enough to get out of the van entirely. 

Mornings were the hardest. Everyone was achy, tired from a bad night’s sleep, and on this morning, too, it was all they could do to keep to their routine. Brenda and Candido insisted on maintaining a semblance of order. “We’re not like some people,” Candido would tell the kids. “We wash our clothes. We don’t pee outside. We keep ourselves clean.” In the hospital bathroom, while Candido got ready to go to work and Brenda stayed behind with Adelene, Frankie helped wash and dress Josephat, brushing his brother’s teeth, then his own. Breakfast was whatever Pop-Tarts or granola bars were left over from the food bank. Finally, they straightened up the van, pulled the seats back into position, and put on their seat belts, Adelene in her car seat, Frankie and Josephat in their boosters. They drove the 15 or so minutes into town, fusing with the early traffic, indistinguishable from all the other families starting their day.

When the van stopped, the boys hopped out. They went around to the trunk, grabbed their backpacks off the built-in clothing hooks, hugged their parents, and walked through the front gate of their elementary school.

For more information please visit the following link:

https://story.californiasunday.com/homeless-families?utm_source=pocket-newtab

TED Talks: Cathy Mulzer – The incredible chemistry powering your smart phone

Ever wondered how your smartphone works? Take a journey down to the atomic level with scientist Cathy Mulzer, who reveals how almost every component of our high-powered devices exists thanks to chemists — and not the Silicon Valley entrepreneurs that come to most people’s minds. As she puts it: “Chemistry is the hero of electronic communications.”

This talk was presented at a TED Institute event given in partnership with DuPont. TED editors featured it among our selections on the home page. Read more about the TED Institute.

About the speaker

Cathy Mulzer · Electrochemist

Cathy Mulzer works on the next generation of materials for all those electronic devices you love: your phone, your TV, your electric car.

About TED Institute

Every year, TED works with a group of select companies and foundations to identify internal ideators, inventors, connectors, and creators. Drawing on the same rigorous regimen that has prepared speakers for the TED main stage, TED Institute works closely with each partner, overseeing curation and providing intensive one-on-one talk development to sharpen and fine tune ideas. The culmination is an event produced, recorded, and hosted by TED, generating a growing library of valuable TED Talks that can spur innovation and transform organizations.

Learn more about TED Institute

TED@DuPont | September 2019

TED Talks: Kim Preshoff – What’s a smartphone madeof#t-286167

As of 2018, there are around 2.5 billion smartphone users in the world. If we broke open all the newest phones and split them into their component parts, that would produce around 85,000 kg of gold, 875,000 of silver, and 40,000,000 of copper. How did this precious cache get into our phones–and can we reclaim it? Kim Preshoff investigates the sustainability of phone production. [TED-Ed Animation by Compote Collective].

Meet the educator

Kim Preshoff · Educator

About TED-Ed

TED-Ed Original lessons feature the words and ideas of educators brought to life by professional animators.

500 + Fish Identification Documentary by Pano4life

Oct 29, 2017  Lily R.

A few years ago I was stung by the “Diving” virus. I quickly became an instructor and over time I was able to accumulate more than 6000 dives mainly in Thailand, Indonesia, Philippines and Malaysia. During these dives, I noticed how fragile the ecosystems are. I came up with the idea of ??filming everything I could for fear of not seeing it again one day. Of course, I could not take my camera for each of these dives but I do it whenever I have the opportunity. Today we were able to identify and filmed in full HD 500 different underwater species. This documentary of 60 minutes retraces these different species with the scientific description and the Latin name of each species. Our goal is to show the world how precious the oceans are and full of life that unfortunately the humanity is likely to endanger … We sometimes forget that the oceans provide us with more than 60% of the oxygen we we need to live. Half of the photosynthesis and removal of carbon dioxide takes place in the oceans. Marine species play a key role in this regulation. It is therefore important to identify and protect them. Unfortunately for humans, this protection is not a priority. On the contrary, the human pressures on the oceans are increasing every day, the impact is irreversible! Through this documentary, we hope to be able to arouse interest on the various underwater species and their protection. We also say to ourself that if our future generations also want to be able to contemplate the beauty of our planet, we have to act quickly! If we continue like this, our grandchildren will not even see a quarter of what you see in this documentary. I would especially like to thank my partner and dive Buddy Lily Romero who filmed and helped me editing this amazing video. As well as laurent Minsart for some macro shots in Lembeh, Indonesia. Special Big Up to all those who participated by loan or by far at this documentary, Dive Guide Local Boat Captain. More Info or collab Lily Romero & Pierre Bijloos www.lilyromero.com IG: LILYRYOGA IG: PANO4LIFE

Category   Travel & Events

A Post By: Gavin Hardcastle

The most common question I get asked by my workshop students is ‘how do you get such sharp images?’. It’s actually really simple. Basically, avoid movement of any kind while the shutter is open, focus well and choose the right aperture for your creative vision. Mostly it’s just plain old common sense with a couple of technical elements thrown in, so if you want to learn how to get super sharp landscape photography images, here’s my list of top tips.

Top tips for sharper landscape photography

1 – Use a good tripod with a sturdy ball head and make sure everything is TIGHT

Seems obvious, but time and time again I see students using decent tripods and they often don’t have everything clamped down tightly. For example, the attachment that is screwed to the underside of your camera should be as tight as you can get it, eventually it’ll work its way loose. Make sure that ball head is completely locked down once you’ve composed your shot.

2 – While taking the shot, don’t place your hands on your tripod

The vibrations of your hands will blur the shot. When that shutter opens, your hands should be nowhere near the camera.

3 – Use the 2 second timer or a remote shutter release

This insures that the shutter won’t open until you are completely hands free.

4 – Cheap lenses will defocus while you rotate your circular polarizer

This is another one that seems obvious but I’ve seen it happen a lot. Let’s say you’ve achieved perfect focus on your landscape composition and now you’d like to rotate the polarizer which is attached to your perfectly focused lens. Guess what, as you rotate that filter, the lens is now losing its focus because of the movement and pressure you’re exerting on the filter. This rarely happens with high end lenses but I’ve seen it happen a lot with cheaper kit lenses that are poorly engineered. When this happens simply remember to refocus before hitting the shutter.

5 – Enable the mirror lock-up if you have a DLSR

Using mirror lock-up ensures that the mechanical shock induced by the cameras mirror mechanism has dissipated by the time the shutter opens.

6 – Remove your camera strap

In windy situations it will act like a sail and induce vibration.

7 – Add some weight to your tripod’s central column

If the conditions are windy, it will also help reduce vibration.

8 – Place a small but heavy bean bag on your camera and lens

Do this just before taking the shot to further eliminate movement from shutter shock.

9 – Choose a Mid-range to Narrow Aperture

This one should be an article in itself but for now it’s important to understand that if you want corner to corner focus in your landscape images you’ll need to select an aperture that gives you a wide depth of field. Using f/2.8 is pointless, so pick an aperture like f/11 or f/16 depending on how close you are to your foreground subjects. Be aware however that the narrower the aperture (larger number like f/22) the less sharp your image will be due to light diffraction so experiment with your lenses to discover their sweet spot for wide depth of field.

Side Note: Shallow depth of field in landscapes can be beautiful when done well, in which case you’ll need a wide aperture like f/2.8 and ideally a lens that delivers beautiful bokeh – most super wide angle lenses don’t do bokeh well.

10 – Focus In the Distance

Don’t focus on the object closest to you. Pick an object in the middle distance that has a clear contrasting line and focus on that. You could focus to infinity but beware that most of the wide angle lenses I’ve used actually focus beyond infinity so I often have to focus to infinity and then carefully rotate the focus wheel back so that it’s just slightly before the ‘infinity’ mark.

11 – Put Your Glasses On

If you need glasses in order to see clearly and focus on things, it should go without saying that you might need to put on your stylish and expensive bifocals in order to achieve clear focus in your photography. Besides, everyone knows that glasses make you look cool and more intelligent, so why not put them on?

12 – Use Live View or EVF magnification

If you have a DLSR with an optical viewfinder I highly recommend that you use your cameras ‘Live View’ mode and then magnify it to your point of interest and use your manual focus ring to achieve sharp focus  If your camera has an EVF (Electronic View Finder)  you can do the same thing while looking in the EVF. I actually prefer this because you don’t get distracted by glare on the LCD or external light sources. Either way, remember to disable auto focus if you decide to focus manually with Live View.

I use every single one of these techniques in my Vancouver Island photo workshops and I teach them to all of my students. If you follow these tips every time you shoot landscapes, you’ll be sure to get much sharper images. If you’ve got some of your own tricks and tips for getting super sharp landscape images please leave a comment below and share your knowledge.

PS: Want to learn more about Landscape Photography? Check out our brand new eBook launched today – Loving Landscapes: A Guide to Landscape Photography Workflow and Post Processing.

Read more from our Tips & Tutorials category

  Gavin Hardcastle is a fine art photographer, writer and instructor from BC, Canada. Become a better photographer today with his free photography guides and photography tutorials. You can learn from Gavin directly at his global photography workshops in some of the worlds most spectacular locations. Upgrade your post processing skills with his online video tutorials for Photoshop and Lightroom.

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120,000 Ribbons Wave Across the Former Footprint of the Berlin Wall in an Installation Marking 30 Years Since the Peaceful Revolution

November 13, 2019  Laura Staugaitis

On November 9, 1989, German officials decided to allow residents of Communist East Germany to cross over and visit the Western, democratic half of the divided country. Though the complex process of physically and ideologically reunifying the country took about a year in total, November 9th is considered a landmark day. To celebrate 30 years since the Berlin Wall began to break down, artist Patrick Shearn (previously) was commissioned to create a large-scale installation that integrated the reflections and hopes of 30,000 people.

Visions in Motion was on view November 4th through 10th in front of Berlin’s Brandenburg Gate, a location that had previously been a demarcation of division. A statement from Poetic Kinetics explained, “the artwork’s rectangular shape conjures the form of the wall; but instead of a heavy, impenetrable border, the form takes flight.” The massive installation spanned 20,000 square feet and was comprised of 120,000 fabric streamers, a quarter of which featured hand-written messages that were collected in the months leading up to the display.

Shearn is a resident of Los Angeles, Berlin’s sister city, and is renowned for his large-scale kinetic installations, which he calls “Skynets”. Tying the German installation to its sister city, the Los Angeles-area Wende Museum, which houses Cold War artifacts, invited Los Angelenos to contribute messages to Visions in Motion as well.

Shearn and his team at Poetic Kinetics are prolific creators. You can explore much more of their archive on the Poetic Kinetics website, and follow them on Instagram to keep up with their latest projects around the world.

Finished “Peace” artwork 9

Shadow of Peace and La Asociación de Barranquiteños de NJ Inc., Puerto Rican Festival in Newark on August 11, 2012, organized by Carlos Maldonado Pastrana, President of La Asociación de Barranquiteños de NJ.  Finished artwork, after the written comments by Ing-On Vibulbhan-Watts

Link to 6th Annual Art and Music Fair Elwood Park Page:

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Ing & John’s and International Street Art – Part 7 & 8 – Thisiscolossal, and Digital Photography School

Ing and John’s Street Art, Downtown Newark, New Jersey, USA- Part 7: Kai, The Artist, and Ing and John’s Artwork

Ing & John’s and International Street Art – Part 8 – Thisiscolossal: Murals of Greek Gods Rendered Against a Chaotic Backdrop of Graffiti by Pichi & Avo, and Crumbling Buildings and Graffiti-Covered Walls Are Meticulously Documented in Oil Paintings by Jessica Hess

Digital Photography School: A Quick Guide to Amazing Bird Photography Compositions

Ing & John’s Street Art and International Street Art-Part 7

Ing and John’s Street Art, Downtown Newark, New Jersey, USA- Part 7

Kai, The Artist, and Ing and John’s Artwork

September 3 & 4, 2019

Photographs by Ing-On Vibulbhan-Watts

Left:        Midnight – John Watts’ Artwork

Middle: Vincent van Gogh and his letters to his brother – Ing-On Vibulbhan-Watts’ Artwork

Right:    Homage to the Dragon – John Watts’ Artwork

Ing-On Vibulbhan-Watts and John Watts, Saturday, November 30, 2019

Kai, The Artist our grandson, who just turned four years old.

Kai, the Jackson Pollock wanna be.

It was time for the four-year-old artist to relax and play.

I have a better chance to learn human behavior and development from our grandson than our only daughter when she was young.  This was because we were so busy with working and now we have more time to observe our grandson’s interaction with other children, including his behavior as a baby and his progress up to now.

For more information please visit the following link:

Ing & John’s Street Art and International Street Art-Part 7

Ing & John’s Street Art and International Street Art-Part 8

International Street Art – Part 8

Murals of Greek Gods Rendered Against a Chaotic Backdrop of Graffiti by Pichi & Avo, and Crumbling Buildings and Graffiti-Covered Walls Are Meticulously Documented in Oil Paintings by Jessica Hess

Murals of Greek Gods Rendered Against a Chaotic Backdrop of Graffiti by Pichi & Avo

March 4, 2015  Christopher Jobson

Since first collaborating in 2007, Spanish street art duo Pichi & Avo (previously) have created an intriguing blend of traditional graffiti and renderings of mythological figures influenced by ancient Greek sculpture. The precision, shading, and use of color is all that more impressive considering each piece is painted only with spray paint. Pichi & Avo open their first exhibition in Italy titled Urban IconoMythology later this week at Basement Project Room. You can see more of their work here. (via Illusion, Graff Crew, UrbaNNerding, I Support Street Art)

Crumbling Buildings and Graffiti-Covered Walls Are Meticulously Documented in Oil Paintings by Jessica Hess

May 10, 2019  Laura Staugaitis

Oakland-based painter Jessica Hess documents landscapes and built environments in moments of transition. Combining open skies and lush plant life with crumbling walls and frayed rebar, Hess finds equivalency in growth and decay. The artist, who works in oil paint, shoots photos while exploring abandoned locales, and uses these real-life references to build her carefully framed worlds on canvas.

Hess graduated from Rhode Island School of Design and has been exhibiting nationally for over 15 years. Her solo show, The Chaos Aesthetic, is currently on view at Hashimoto Contemporary in San Francisco, and runs through May 25, 2019. You can keep up with Hess’s impressive exhibition schedule, which includes four additional shows this year on her website, and see more of her work on Instagram.

For more information please visit the following link:

Ing & John’s Street Art and International Street Art-Part 8

A Quick Guide to Amazing Bird Photography Compositions

A Post By: Jaymes Dempsey

Do you want to capture amazing photos of birds? If so, you have to master bird photography compositions.

Composition refers to the arrangement of elements within the photo. And it’s often the difference between a creative, compelling image, and an image that just falls flat.

In this article, I’m going to share with you everything you need to know about bird photography composition. I’m going to give you several tips that ensure you capture beautiful bird photography compositions, without fail.

Sound good?

Let’s dive right in.

The composition basics: Capturing a gorgeous bird photo

When you take a bird photo, everything in the frame matters.

The bird. The position of the bird. The position of the bird’s head. The background. Any elements behind the bird. Any elements in front of the bird.

It’s all important.

Because the key to a gorgeous bird photography compositions is keeping the shot focused on your main subject.

You want to make sure that the bird stands out in the frame. You want to make sure everything else in the photo emphasizes and enhances the bird.

So how do you do that?

A few simple ways, starting with:

Simplify the entire composition to make the bird stand out

If your composition is chaotic, then the viewer is going to get lost.

And that’s absolutely not what you want.

Instead, you should aim to simplify the composition as much as possible. The best compositions tend to include a bird and a background. That’s it.

While it’s possible to create beautiful shots by including additional birds or interesting features (e.g., shells, flowers), I recommend avoiding that as much as possible. These mess up compositions more often than they enhance them.

Also, in the interest of simplicity: If there’s anything in the frame that’s distracting, get rid of it. So make sure there are no branches behind the bird. Make sure there’s nothing in the background that dominates the frame or draws the eye.

That’s how you’ll keep your bird photography compositions beautiful.

And speaking of backgrounds:

Aim for a uniform, simple background that makes the bird pop

If you want a beautiful bird photography compositions, then you need a beautiful background.

What does this involve?

First, the best bird photography backgrounds are simple. They’re also uniform.

Like this:

Notice how the background is a nice uniform color.

It keeps the attention on the bird. It doesn’t distract.

To create a background like this, you want to start by ensuring a large separation between the bird and the background. One trick is to get down low, on the bird’s level; this will cause the ground behind the bird to fall away, creating a more distant background.

You should also make sure you use a decently wide aperture, such as f/5.6 or f/6.3 (the particulars depend on the size of your bird, because you don’t want to accidentally make parts of the bird soft!).

Finally, you should ensure that the background doesn’t include colorful elements that catch the eye. Before you take a shot, look behind your bird, and ask yourself: Will anything in the background dominate the frame? Will anything pull the viewer away from the bird?

If the answer is “Yes,” then you should consider moving slightly to the left or right so that you’re no longer stuck with a distracting background.

Use the rule of thirds to position the bird’s eye

Now that you know how to capture beautiful backgrounds, it’s time to look at your main subject and how to position it.

Generally speaking, you’ll have a single bird in your photos. And you need to position this bird carefully.

You don’t want to put it smack-dab in the middle of the frame. That’s a recipe for a boring, static composition.

Instead, I recommend you place the bird so that its eye falls along a rule of thirds power point.

What is the rule of thirds power points?

They’re simply points that are a third of the way into the frame, both vertically and horizontally.

The eye in this photo, for instance, falls along a power point:

It’s a third of the way down, and a third of the way from the left.

Now, the rule of thirds is misnamed; it’s a guideline, not a hard-and-fast rule. But it is a great way to position your bird and will ensure that the shot feels a lot more interesting.

So use the rule of thirds whenever you can to position your bird within the frame.

Point the bird into the frame to add movement

I’ve talked about positioning your main subject using the rule of thirds, but there’s another aspect to positioning that you should always, always consider:

The direction the bird is pointing.

You see, most bird photos have some empty space in the frame.

And when they do…

…you want to point the bird into the empty space, rather than away from it.

You see, by making sure the bird is looking into the empty space, it adds a sense of completeness and a sense of motion to the frame. The viewer’s eye follows the birds line of sight, and everything feels satisfying.

Whereas if you point the bird out of the frame, the whole shot feels tense. The viewer wants to know what’s outside the frame, with no resolution in sight.

That’s why bird photographers love to point the bird into the frame. It’s far more satisfying, and can turn the shot into something powerful.

Capture the bird in a creative pose for increased interest

Now, when it comes to bird photography, you can capture birds in a normal standing pose.

And that’ll get you some nice photos.

But sometimes…

This isn’t enough.

If you want to create truly creative bird photography, you need to go beyond the simple standing pose. And capture the bird doing something interesting.

What counts as interesting?

For one, preening birds look really interesting. They appear wonderfully tranquil as they clean their feathers.

And birds that are sleeping also give off a sense of peace that I love.

You can also go for action shots: Birds feeding, for instance, can create a lot of interest. You can capture photos of birds that are about to catch food, are currently catching food, or have just caught food. Think of a bird with a huge fish in its mouth.

It’s guaranteed to add interest.

Cool, right?

You can also go for shots of birds fighting or, as is a common bird photography practice, shots of birds flying. Photographing birds in flight can be a challenge, but a really rewarding one.

So whenever you’re able, don’t just take a standard bird photo. Go beyond this.

Make something unique!

A quick guide to amazing bird photography compositions: Conclusion

You should now have a sense of the best ways to capture beautiful bird photography compositions.

And remember:

Getting amazing compositions isn’t hard. You just have to use the tips that I’ve given you, and you’ll be taking stunning photos in no time.

Have other tips for gorgeous bird photography compositions? Share them in the comments!

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Ing and John’s and International Street Art, TED Talks, and Digital Photography School

Ing & John’s Street Art Part 5: Kai, The Artist, and Ing and John’s Artwork and International Street Art Part 6: David Zinn

TED Talks: Sydney Jensen How can we support the emotional well being of teachers?, Olympia Della Flora Creative ways to get kids to thrive in school, and Anindya Kundu The boost students need to overcome obstacles

Digital Photography School: How to Create Beautiful Light Painting Images with an Illuminated Hoop

Ing & John’s Street Art and International Street Art-Part 5

Ing and John’s Street Art, Downtown Newark, New Jersey, USA- Part 5

Kai, The Artist, and Ing and John’s Artwork

Wednesday, August 28, 2019

Photographs and Poem by Ing-On Vibulbhan-Watts

Kai, our grandson, who love to do painting.  He volunteers to do artwork in front our shop.

Kai had a helping hand from Grandpa John.

Kai, just turned four years old on Saturday, September 21, 2019.

This is the nature of life.  One minute we are here and the second minute we are gone.  What remains’ is what we did with the minutes before, while we are still alive on earth.

This artist prefers to play, rather than work hard on his painting.

On Tuesday, September 24, 2019, while we were taking our artwork down at night time, a homeless man asked me, “Do you sell the paintings?”.  “No, I said, we put our artwork up for people to see, and it makes the sidewalk more pleasant to walk by.”   Then he pointed to my Gandhi artwork and asked “Who is this man?” I explained to him that “His name is Gandhi.  He helped his country of India to gain independence from the 200-hundred-year rule by the British Empire.  He achieved this by non-violent mean.  Dr. Martin Luther King, Jr., who fought for human rights in this country, USA, followed Gandhi’s non-violent philosophy.  I felt very glad that the homeless man asked me the questions. 

I do not think that homeless people or working-class people will have a much of an opportunity to visit art galleries or museums. This is one of the reasons that I love Street Art.  The artwork is in public view.  Some might like the artwork or some might not, but it can create inter action and activate the viewers to think.  This thinking process helps create learning and reasoning about what others show or tell you to believe.   

Left:        Impossible Dreamer – John Watts’ Artwork

Middle: Gandhi Man of Peace and His Words – Ing-On Vibulbhan-Watts’ Artwork

Right:    Beneath the Lake – John Watts’ Artwork

There are some people asking us about our artwork that we display in front of our building.  So, we decided to post a sign to let people know who did the artwork along with my Peace Poem.

Little one on mother’s bosoms

Happy to hang along

Where ever she goes

Ride, ride, ride

Happy mother and happy child

I am a lucky one

Ride, ride, ride

Mommy, Daddy I love you

Ing-On Vibulbhan-Watts, Sunday, November 10, 2019

I wish some of the homeless children that I saw in the parks or the public library will have comfort and be as well provided for as this child.

This past summer I took our grandson, Kai to Newark Museum, I found out that it is free admissions for Newark residents, for others it cost $15.00 for an adult and $7.00 for a child.  I took Kai to Military park to play.  I met a woman who has seven children and is not a Newark resident, so she can only bring the children to the park and cannot afford to pay for the Museum entrance tickets.  I think the working-class, poor, and homeless children, need as much as education as they can possibly have.  Museums and libraries are good places for children to learn.  They can form good habits of learning and be able to do well in school and have ambition to get higher education, such as college or university.  Education can help people get out of poverty. The cities nearby Newark, such as Irvington, Jersey City, and others cities have poor and working-class children.  These youngsters will be left out of the experience and enjoyment of seeing the fantastic artwork collections that Newark Museum offers to Newark residents, and well to do families out of town that can afford the price of admission.

Ing-On Vibulbhan-Watts, Thursday, November 14, 2019

For more information please visit the following link:

Ing and John’s Street Art and International Street Art-Part 6

International Street Art – Part 6

David Zinn

Street Art & Illustration

David Zinn has been creating original artwork in and around Ann Arbor, Michigan since 1987. For more than twenty years, he freelanced for a wide variety of commercial clients while simultaneously sneaking “pointless” art into the world at large. His professional commissions included theatrical posters, business logos, educational cartoons, landfill murals, environmental superheroes, corporate allegories and hand-painted dump trucks, and his less practical creations involved bar coasters, restaurant placemats, cake icing, and snow. Now, thanks to the temptations of a box of sidewalk chalk on an unusually sunny day, Mr. Zinn is known all over the world for the art he creates under his feet.

David’s temporary street drawings are composed entirely of chalk, charcoal and found objects, and are always improvised on location through a process known as “pareidolic anamorphosis” or “anamorphic pareidolia.” Most of his creatures appear on sidewalks in Michigan, but many have surfaced as far away as subway platforms in Manhattan, village squares in Sweden and street corners in Taiwan. He has achieved global notoriety through sharing on the pages of Facebook, Instagram, Huffington Post, Graffiti Art Magazine, Bored Panda, Central China Television, Street Art Utopia, and Archie McPhee’s Endless Geyser of Awesome. His most frequent characters are Sluggo (a bright green monster with stalk eyes and irreverent habits) and Philomena (a phlegmatic flying pig), but the diversity of Mr. Zinn’s menagerie seems to be limited only by the size of the sidewalk and the spirit of the day

For more information please visit the following link:

Sluggo on the Street, Vol. 1

will be food for art

tangled sluggo

tempting the gerbilsaurus

sluggo and reluctant steed

sky beneath feet

save water sluggo and friend

rockband sluggo

returned from sender

occupy imagination rochester

music feeds the beast

join the crowd

impossibility on a stick

impossibility fishing 2012

fifth avenue billiards

feeding the flying turtles

drinking with sluggo

chocolate gifting sluggo

carpooling with sluggo

birthday cake

artistic license

Categories: Chalk Art

For more information please visit the following link:

The new book has arrived! “Underfoot Menagerie” is the best way to keep David Zinn’s temporary street art creatures from running away in the rain: put them on your coffee table! More than 100 pages of cheerful creatures to brighten your day, plus explanations and inspirations from the artist himself. Click on the “shop” link or the image above to order!

Contact David Zinn: info@zinnart.com

David Zinn: Chalk Art Brought to Life

Dec 1, 2014   VideoVision360

David Zinn is an Ann Arbor artist known for his temporary street art composed entirely of chalk, charcoal and found objects that is entirely improvised on location. Most of these drawings (most notably “Sluggo”) have appeared on sidewalks in Ann Arbor and elsewhere in Michigan, but some have surfaced as far away as subway platforms in Manhattan and construction debris in the Sonoran Desert. Zinn’s chalk work began in 2001 as an excuse to linger outdoors and pursue his inner-child, but has since achieved global notoriety. Give his temporary chalk-based creatures a safe haven away from rain, by taking his art home with you: https://igg.me/at/davidzinn. David Zinn MUSIC VIDEO: https://youtu.be/ta5cXcCGWsk Video Production: https://www.facebook.com/VideoVision360

Category    People & Blogs

David Zinn Art

Sep 11, 2014  Create Michigan

Watch Ann Arbor artist David Zinn as he creates one of his popular chalk art drawings on the street in Dexter, Michigan.

Category   Entertainment

For more information please visit the following link:

Teachers emotionally support our kids — but who’s supporting our teachers? In this eye-opening talk, educator Sydney Jensen explores how teachers are at risk of “secondary trauma” — the idea that they absorb the emotional weight of their students’ experiences — and shows how schools can get creative in supporting everyone’s mental health and wellness.

This talk was presented at an official TED conference, and was featured by our editors on the home page.

About the speaker

Sydney Jensen · Educator

Sydney Jensen wants to shine a light on the emotional and mental impact of teaching students who have experienced trauma.

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Contact your representatives to urge them to support Teacher Health and Wellness Act, H.R.2544.

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Teachers: share your story with brave vulnerability here.

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TED Masterclass | October 2019

To get young kids to thrive in school, we need to do more than teach them how to read and write — we need to teach them how to manage their emotions, says educator Olympia Della Flora. In this practical talk, she shares creative tactics she used to help struggling, sometimes disruptive students — things like stopping for brain breaks, singing songs and even doing yoga poses — all with her existing budget and resources. “Small changes make huge differences, and it’s possible to start right now … You simply need smarter ways to think about using what you have, where you have it,” she says.

This talk was presented at an official TED conference, and was featured by our editors on the home page.

About the speaker

Olympia Della Flora · Educator

Olympia Della Flora wants schools to think differently about educating students — by helping them manage their emotions.

1,884,173 views

TED Salon: Education Everywhere | January 2019

How can disadvantaged students succeed in school? For sociologist Anindya Kundu, grit and stick-to-itiveness aren’t enough; students also need to develop their agency, or their capacity to overcome obstacles and navigate the system. He shares hopeful stories of students who have defied expectations in the face of personal, social and institutional challenges.

This talk was presented at an official TED conference, and was featured by our editors on the home page.

About the speaker

Anindya Kundu · Sociologist, educator, writer

Anindya Kundu suggests all students can succeed if provided collective support systems and opportunities.

More Resources

TED Residency

The TED Residency is an incubator for breakthrough ideas. It’s free and open to all via a semiannual competitive application. Residents spend four months at TED headquarters in New York City collaborating on projects and ideas, which they then share in a TED Talk.

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TED Residency | June 2017

How to Create Beautiful Light Painting Images With an Illuminated Hoop

A Post By: Andrew S. Gibson

Early last year I collaborated with a friend who is a professional circus performer and hula hooper to create the unique images that you see in this article.

There are lots of good light painting photos around, but the factor that sets these ones apart is that my friend Tess used something called a FutureHoop – a transparent hula hoop that has built-in lights that can be programmed to flash in different colors and patterns. It helps that Tess is a trained dancer and hooper, so she was able to create some beautiful patterns with the FutureHoop.

You can try this technique yourself – if not with a FutureHoop then with any number of colored light tubes or similar devices that are available (or make your own). Do a search on Amazon to see what you can find, and use your imagination to reveal their potential.

Whatever you end up using for your painting with light experiments, there are a number of things you need to consider to get the best results. Take care of these and you should be able to create some strong images.

Choose a Location

Pick a good location. You need a dramatic background that complements the painting with light technique you choose to use. For these photos we went to Massey Memorial, built in remembrance of a past New Zealand Prime Minister on a hill in Wellington. I knew it would be a great place to take the photos because the marble pillars form a dramatic background. There was also plenty of room for Tess to move and dance with the FutureHoop.

Take the practicalities into consideration when choosing a background. For example, beaches often make good locations for painting with light photos, but you need to make sure your model can walk around safely in the near dark without tripping over rocks (or falling into the sea). Incidentally, isolated beaches are also a great place to try steel wool spinning, another form of painting with light.

Pick a model

Pick the right model. Tess is a professional performer and I couldn’t have created these photos without her. She had the appropriate costume, including an illuminated bra that can also be programmed to give different color displays.

Her training also meant that she could strike professional poses. The following photo demonstrates this perfectly. Look at the arch of her back, the way her feet are positioned, and how the toes on her left foot are pointed. You can even see the flashing bra.

The other thing that helped is that Tess thought about the patterns she would use on FutureHoop, and how she would move the hoop before the shoot. That helped us nail the shoot the first time.

Ask your model to practice, and be prepared to reshoot if necessary. It is possible that you won’t create your best images during the first attempt. During the shoot, look at the photos on the camera’s LCD screen and see what works and what doesn’t. Then you can suggest things that your model can try, or ask her to do something again if you didn’t quite time the photo correctly. Use feedback to refine the images and work towards something beautiful.

Time of Day

Choose the right time of day. The best time for painting with light is twilight, as it is dark enough for the lights to show, but there is still enough ambient light to subtly illuminate the background, and maintain some color in the sky.

The only difficulty with twilight is that the light fades rapidly, so you have to keep up by changing the exposure settings as you go along. The photos you take earlier on in the shoot, will be different from the ones you take later, as the light is fading. The ratio between the light from the FutureHoop (or whatever devices you are using), which stays constant, and the ambient light, which is fading, changes.

The two photos above show the difference. The first was taken early in the evening, the second one when it was nearly dark. The pillars in the background in the first are lit by the light of the setting sun. The FutureHoop seems much brighter in the second because the ambient light levels are lower. Note that I darkened the background of the first image in Lightroom to match that of the second one.

This photo shows Tess warming up at the start of the shoot. It was still too bright as this stage for the painting with light photos – you can barely see the light of the FutureHoop.

If you shoot at night the exposure should remain constant, but the sky will lack color. On the other hand, the light from the device your model is using could light up the background beautifully if it is close enough. So there may be advantages to working at night, rather than twilight, but in most cases the light during twilight will be better.

Technique and Camera Settings

Get your technique right. You need slow shutter speeds to take this type of photo, so a good tripod to support the camera and a cable release are necessities. I used shutter speeds between two and four seconds for these photos – you may need longer exposures depending on how long it takes your model to move the device you are using through the air. Tess moved quite fast, so the shorter shutter speeds we used worked better.

Set your camera to Manual mode so that the exposure remains constant throughout the series (the moving lights will confuse your camera’s light meter in an automatic exposure mode). It is easy enough to open the aperture, or raise the ISO, if you need to as the light fades.

Use the Raw format to give you maximum leeway in post-processing. Shooting Raw simplifies the shoot greatly as you don’t have to worry about settings such as color profile until you sit down to process the photos.

In this shoot, once the camera was set up, I kept the aperture at f/8 or f/11 and raised the ISO as the light faded. I set the White Balance to Daylight so I could see the natural colors of the FutureHoop and the ambient light. Using auto White Balance may result in some strange color casts as the camera tries to compensate for the colored lights.

Above all, have fun. If you both enjoy the process you create better images. If your model enjoys it she will want to collaborate with you on future ideas. Below are a few more images from our shoot – enjoy and hopefully they give you some ideas.

Any questions? Let us know in the comments and I’ll do my best to answer.

And if you’d like to learn more about the basics of photography, then please check out my ebook Mastering Photography: A Beginner’s Guide to Using Digital Cameras.

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